Inpsired by the work of Forensic Architecture, I sometimes use 3D models in my films to spatialize complex scenes and anchor media sources in it. “The 3D model of the architectural environment becomes an optical device to understand the relationship between separate elements” (Eyal Weizman).

I have used this technique to help document several human rights violations cases.

Use cases

Other cases:

• Amine Leknoun’s death (Libération, 2023)
• Pont-Neuf case (Libération, 2022)
• Lagos Inferno (BBC, 2020)
• Olivier Béziade (Le Monde, 2019)