Inpsired the work of Forensic Architecture, I use 3D models in my films to spatialize complex scenes, anchor media sources in it, and bring contextual information.

“The 3D model of the architectural environment becomes an optical device to understand the relationship between separate elements.” (Eyal Weizman)

I have notably used this medium to document human rights violations.

Use cases

Other cases:

• Amine Leknoun’s death (Libération, 2023)
• Pont-Neuf case (Libération, 2022)
• Lagos Inferno (BBC, 2020)
• Olivier Béziade (Le Monde, 2019)